Archive for the ‘wine making’ Category

Turn of the screwcap

Tuesday, June 10th, 2008

The future of wine bottle closures is getting clearer (to me). The future of wine bottle closures is screw caps.

screw capWine drinkers cannot have helped but notice that many winemakers make the leap from corks in favour of screwcap closures. Some wine lovers even rant that corks should be abandoned.

A series of trials had been undertaken by both the University of Burgundy (1960s) and the Australian Wine Research Institute (1970s) and consecutive tastings proved that screwcaps were indeed a viable alternative to natural cork.

For instance, Stelvin is the best-known brand of screwcaps and it is used on Taylors Cabernets.

“No other industry in the world accepts the type of product failure experienced using cork” says George Fistonich of New Zealand screwcap pioneer Villa Maria . Fistonich has been standing firm and all Villa Maria bottles are screwcapped. New Zealand producers have followed and have started a so-called Screwcap Wine Seal Initiative
The n

Screwcap Initiative gets vocal on the radio

In July 2007 an advertising campaign started on the NZ radio. It was embarked upon by the Screwcap Initiative. It has high profile winemakers talking in favour of their preferred wine bottle closure. Wine maker Michael Brajkovich of Kumeu River Wines in Auckland is one of them.

In the advertisement he says, “We were one of the first to export wine in a
screwcap wine bottle. The Old World wine trade didn’t like the idea - at first, they liked
the romance of the cork. But a few of us New World winemakers knew it fixed the problem ofcork taint and once the public twigged to it, it was their seal of quality. It’s another
example of New Zealanders going with what works for us and then finding out that the rest
of the world agrees.”

The advertisement is backed by New Zealand Trade and Enterprise and their website www.exportyear.co.nz. “We are right behind the exporters,” says a spokesperson.

Business demand

Chris Hatcher is the chief winemaker at Wolf Blass, Australia. In 2000 he said that their British distributor had asked that the entire next shipment of Annie’s Lane wines be Stelvin-sealed. Now Wolf Blass bottle some of their super-premium Platinum reds under Stelvin. Henschke, Australia, started screwcap bottling with their Keyneton 1995.

In the USA the Bonny Doon winery has championed Stelvin and has set up a Death of the Cork website. It should be added that an extra incentive for the change is that wine company bean counters also love screwcaps as they are cheaper than corks.

In a similar vein, wine critics now mention whether wines they review use screwcaps and restaurant wine lists follow. Consumer acceptance will grow accordingly. What was once a trickle will become a flood — in time.

A new book on the topic of wine closures is due this October. It is entitled ‘TO CORK OR NOT TO CORK: Tradition, Romance, Science, and the Battle for the Wine Bottle’, by George M. Taber, the author of ‘Judgment of Paris’ (Scribner, 2005). A preview of the book is this good-looking fact sheet on wine closures (PDF) (4 MB).

Cork used to be useful

Corks were certainly revolutionary in the 17th century when British ale and French champagne makers started to use cork stoppers instead of traditional closures made of hemp soaked in oil. That innovation certainly improved the quality of wines greatly and without it the development of champagne would have been impossible. But in the age of the microchip we are still using the archaic and risky technology of stoppers made from oak bark.

Cork taint

Why risky? Depending on whom you talk to cork taint (TCA) affects maybe five per cent of bottles, making them unpalatable. Yet, strangely, it has taken more than three centuries for winemakers and consumers to grow tired of wines that are diminished in quality due to this taint and to other problems such as unwanted cork flavours, leakage, cork deterioration and so forth. (For example, the renowned Penfolds Wine Clinics’ main focus is the replacement of dodgy corks).

Screwcap benefits

Screwcaps on the other hand are taint free and impermeable.

No cork taint

Everyone you ask will give you a different answer, but the general consensus from the trade is that between 5-15% of wine is adversely affected by 2,4,6 trichloroanisole. This can occur simply when chlorine is used to wash the cork bark or, more worryingly, it can be due to a contamination of the trees themselves due to the use of organic pesticides which contain chlorine and in this case, affect several harvests.

No more sporadic oxidation

The ideal closure should provide an air tight seal to the wine bottle. A good quality cork is a perfect closure, however, as with all natural products, quality variations mean that “random oxidation” has become the second biggest problem linked to natural corks.

“Driven” closures - whether they are natural or synthetic – need good elasticity in order to fill the gaps and irregularities within the bottle neck. In addition to this, natural corks also contain pits, cracks or insect holes and these create a weakness within the seal that can lead to leakage and oxidation.

Traditionalist criticise screwcaps saying that they are not romantic, however, this industrially-produced closure has the advantage of being more consistent identical, therefore making bottle variation a thing of the past.

Screwcaps also seal from around the outside of the bottle, therefore imperfections within the bottle neck are immaterial and the pressure (approx. 160kg) exerted on the head of the screwcap during bottling ensures that it is totally airtight.

Screwcaps avoid flavour modification, including scalping

Cork is a natural product, therefore, it is inevitable that it will impart some level of taste on the wine to a lesser or greater degree.

As John Belsham of Foxes Island and also current NZSCI president says, “We ran a very simple trial of putting corks into glasses of acidified water. There was a varying degree of colour and flavour taint in all glasses – all except one - the glass containing no cork.”

Screwcaps are totally neutral and therefore do not modify the wine in any way, allowing it to retain the original characteristics and age uniformly.

AWRI research has discovered that the TDN flavour molecule - which gives a kerosene type flavour to white wines - is totally absorbed by plastic closures and partially absorbed by natural cork. This is known as flavour scalping and according to the AWRI, there is no evidence of flavour absorption from screwcaps and this therefore explains why they are so well suited to delicate, aromatic wines such as Rieslings.

Young taste

“Screwcaps have shown wines that are brighter, clearer and more focused. Fruit and mineral characters shine through better than before” says Ken Canaiolo Engebretsen, President of the Norwegian Sommelier Association.

Aging with screwcaps

To test their longevity a number of wine companies (notably Yalumba) have bottled wines under both screwcaps and cork over the last few decades. Comparative tastings of these museum wines indicate that Stelvin bottled wines are fresher, cleaner and retain better colour than examples of the same wine under cork. There are criticisms that screwcaps seal too well and can create reductive characters in wines. This is less true today and should only concern wines that you keep a few years.

Cork is doomed

The list of winemakers actively supporting screwcap is growing. A recent example of conversion is that of a well-known and well-regarded winery in Long Island, NY. It’s Paumanok Vineyards.

For near-term wine the days of cork as a closure are numbered.

Wine growing in Austria

Tuesday, May 20th, 2008

Every year, about 300 hectoliters of wine are produced in the world. (The hectoliter metric unit of capacity or volume used in dry measure and equal to 100 liters or 2.8378 bushels.) Of this total, Austria’s share accounts for less than one percent.

Vineyard in Wachau, AustriaAs a small wine-producing country, Austria strives to produce only high quality wines. In order to do this, four components are necessary: soil, climatic conditions, the right selection of vines and the person producing the wine.

THE SOIL

Soil leaves its imprint on wine. It helps determine the character and the quality. There are two main variations of soil: airy light-textured and heavy compacted textured.

A sandy, light soil, such as loess, becomes warm very quickly and - with proper irrigation - contributes to top-quality wine.

Heavy, clayey soils tend to hold water well, moisture is retained: a plentiful harvest is usually yielded, producing strong, full-bodied wines. The light and sandy soils (including primary rock) helps create lean, yet elegant and fruity wines.

Austrian vineyards have a wide variety of soils. Loess is predominant in the Weinviertel and in the Donautal. Around Kerms, Langenlois and in the Wachau, primary rock is most plentiful. Limestone strongly defines the Thermenregion. Types of soils found in Burgenland are varied, with everything from slate (in Leithagebirge), clay and marl to pure sand. Volcanic and brown soils (in the Kloch area) are distinctive for the Steiermark.

CLIMATE

The vine growth cycle, from budbreak in the spring until the leaves fall in autumn, last approximately 200 days, depending on the variety. Warm, sunny summers and long, mild fall days are typical for most of Austria’s wine regions. Yearly rainfall in the east averages 400 milliliters; in the Steiermark, it can climb to more than 800 ml.

Two main influences on climatic conditions in the regions are the Danube river, which reflects warmth and acts as a temperature regulator, and the vast Neusiedlersee lake, whose shores, in the late fall, are filled with ripened grapes that will make the incomparable Beerenauslese and Trockenbeerenauslese wines.

Altitude is also a key factor. Most Austrian vineyards are planted 200 metres above sea level. However, in Niederosterreich, vineyards are cultivated at a height of up to 400m. The Steiermark boasts the highest wine villages, with Kitzeck and St. Andra in the Sausal area, where grapes are grown between 540-560m above sea level.

The wine growing regions are all found in terperate climate zones - at a latitude of approximately 47-48 degrees north. This is comparable to the province of Burgundy in France.

THE VINES

Austria has a plethora of varieties, each in harmony with their soil and climate conditions. Of significance are approximately 20 white and 10 red varieties. Austria’s vineyards comprise 77% white varieties; 23% are red - an increase in recent years. The most noble variety is riesling. The variety currently in fashion in the USA is grüner veltliner.

THE WINEMAKERS

The winemakers, or, as they are sometimes called in Austria, the wine hewer, decides which types of grapes they will grow. A crucial criterion for achieving a high quality harvest is the low yield.

There are methods that can help attain this result, such as little fertilisation and thinning both after blossoming and before picking. For Qualitatswein, Austria’s wine law has set a maximum of 9,000 kg per hectare.

When it comes to processing the packed grapes, only one thing matters- good care, This means light application of pressure during pressing, and a concentrated influence on the whole vinification process.

Here is an extensive series on wine-growing in Austria.

Mulled wine recipe

Friday, December 7th, 2007

Coming up with unique offerings for your guests over the holidays can be a chore, especially when it comes to concoctions to stave off the chill of winter. Of all the options, mulled wine is my favorite. It’s a classic wine-based drink that can be easily made ahead of time and served by the glass when family and friends pop over. Remember that as with any recipe the real fun is in the interpretation so feel free to take my notes and add or subtract items at will. Don’t forget to record the plans for your final concoction because once your guests take a sip they’ll be dying to know how to make it themselves.

Mulled wineBefore you get started there are a few mulled wine rules. Any red wine will do but you don’t have to spend that much, after all you’re going to alter the taste considerably.

Try a wine from a region where the nights are fresh. The one thing they typically have in common is a deep full fruit flavor and lots of rustic structure (with acidity) - perfect for mulling.
Try your favorite red or:

  • Hungary’s Szekszardi Voros
  • Burgundy’s Jacob - Pinot noir
  • Italy’s Lungarotti - Cabernet Sauvignon

Never let the wine boil. If it’s boiled it’s spoiled. The flavor of the wine/spice combination will deteriorate if the mixture reaches the boiling point, so keep an eye on the stove. Actually, microwaving mulled wine by the glass or mug full is a better choice. The microwave process
concentrates the flavor elements that can dissipate when mulled wine is made on the stove in an open-mouthed pot, back into the drink. I usually find that one-minute on high heat works best but get there in 20-second incumbents to ensure the mulled wine doesn’t reach the boiling point.

I’ve included sugar in my ingredients list because some find that added sugar soothes the tangy flavor the mulled wine can express after being warmed up. I prefer diluting the mulled wine with herbal or citrus tea. Tea (especially citrus or herbal oriented varieties) not only softens the flavor but it adds subtle elements that the mulled wine doesn’t have on its own. If tea or sugar isn’t to your liking try balancing the flavor by adding a little water to the blend before pouring.

One last thing. Since it’s the holidays a candy cane as a garnish not only adds a nice peppermint flavor to the mulled wine, it looks terrific and really evokes the liquid personality of the season.

Here is a recipe derived from that of my grand aunt Else:

2 lemons

2 oranges

1 750 ml bottle of medium- to full-bodied Red Wine

Nutmeg (to taste)

Cloves (to taste)

1 oz brandy or Cognac (or to taste)

1 cup (250 ml) granulated sugar (optional)

Herbal or citrus influenced tea (optional but excellent)

Water (optional softener instead of tea)

4 large cinnamon sticks

4 candy canes

Instructions (makes four large portions):

- Cut lemons and oranges into slices.

- Pour the red wine into saucepan and gradually heat.

- Add fruit slices, nutmeg, cloves and brandy.

- Keep an eye on the mixture and wait until it becomes hot to the touch.

- At this point you could blend in sugar or water (if desired).

- Pour into glasses/mugs and add tea (to taste).

- Garnish with cinnamon stick and candy cane.

- Serve.

As I said earlier, premixing the ingredients and microwaving it by the glass/mug full is just as easy.

If you’re keen on a holiday oriented drink that isn’t served warm why not try Ginger Wine. It has roots planted firmly in the Victorian Era and has a wonderful ginger essence that is as tasty as it is familiar.

If you have a twist on this recipe or have another wine-based cocktail idea, please comment.

2007 vintage would be bad in Europe

Saturday, November 10th, 2007

In a nutshell: buy 2007 wines only from reliable producers.

Obviously a vintage is a concept: it cannot taste bad. The point here is to indicate that vine growers have had more problems this year than previous years. The quality of the wines very much depends on the vine growing — every year but this year even more so. This is the year when the serious, talented winemaker makes a big difference.

Vineyards near Gamlitz, Austria, by HalehRThe Austrian wine marketing board have published their official summary of the vintage so far, calling it ‘the winemaker’s year’. In the words of Jancis Robinson this means that ‘there have been quite a few hurdles for them to overcome - in the vineyard perhaps even more than in the winery’.

In France, the cool summer of 2007 affected everyone and the September weather saved some grapes. Micro-climates came into play and the savvy vigneron had to carefully determine the date of harvest. Rot and mildew was widespread. Keeping the grapes on the vines was a gamble many winemakers did not make.

Côte d’Or, Burgundy

Reports Bill Nanson: ‘The vintage will be as heterogeneous as the approaches and the quality of grapes and sorting’. ‘Grapes from Latricières-Chambertin needed quite some work (just like in 2004)’.
Said Louis-Michel Liger-Belair: ‘we made a hard triage’.
Reports Martine Saunier, California importer of some growers in Burgundy and the Rhône Valley: ‘beginning 25 August, the weather warmed up and the sun finally came out. Temperatures rose to 25°-30° C. The grapes started turning red immediately’.

More reports

I have made complementary overviews: